Monday, September 30, 2013

Painting #1: Snowy Twilight Forest

This is my first painting of the new art odyssey.  Just looking at it makes me shiver, even though I painted it outside on a warm and sunny day.  Now you can see how my art takes me to other places.


Here's the photo I took of my grandmother's forest in upstate New York last winter: 



The "blue twilight" effect is a cool trick I discovered by altering the white balance on my camera. We had more snow in December 2012/January 2013 than I have seen in many years. And it was very cold, below zero.  It was also windy as the snow came down, so it frosted on to one side of all the trees.  Walking through this forest, everything was peaceful and totally like a scene out of a fairytale. I got the snow dusting on the tree trunks with a dry fan-tipped brush and very small dabs of white paint.


...And this is the dark corner of my parents' basement that I sometimes work in. For no other reason than lack of studio space.  I do what I have to do.

Friday, September 13, 2013

Sketch #1

Daily drawing. From a closeup I took at Longwood Gardens in 2012. This took me about an hour and a half this morning with colored pencil.


Wednesday, September 11, 2013

Time to do something with art again.



I have a confession to make.  I have committed a sin when it comes to art.


I have gotten lazy.

Even though I am a passionate, dedicated hard worker at every job I do, I am still extremely lazy when I'm not at work.  I mean lazy about art.  I just don't enjoy it like I used to.  When I set my mind to it I can do awesome things, but lately I'm feeling blah.  And I don't want to accept that this is simply because I have a regular job now. 

Work takes a lot out of anyone.  It drains the life out of anyone.  When I come home, it makes me want to sit around in a catatonic state, and do nothing and think about nothing until I can fall asleep. 

That's bad. In fact it's terrible.  There's so much I could be doing in my spare time.  It's a well-known, often overlooked and unpleasant fact that if we spent just 30 minutes to an hour doing something we enjoy every single day, we could master it in a year.  But most of us don't have the motivation to start anything new.

It's time to do something.  I had an idea today.



 I have taken thousands of digital pictures. Like over 100 gigabytes' worth of photos. Every significant moment in my life for the last 6 or 7 years.  A visual universe of memories, most of which I shared with no one but myself.  And right now, these images are all locked inside my computer, taking up space on my hard drive. The free space is getting ever smaller.  I've been taking much less pictures lately, because this occurred to me.  My Macbook is almost 8 years old, I bought it for christmas in 2006.  And just about every internal component of it has been upgraded or replaced, some more than once.  The cooling fans, DVD drive, battery, hard disk and memory have all been replaced.  But I know eventually, it will die.  And eventually, my backup disk will die too.  And years from now, the recordable DVDs I store my life on will deteriorate.  And all this stuff will be lost.  Why? Because it isn't tangible.


I think it's time to start drawing and painting my photographs.  100 years from now, a painting will be worth more than a photo, right?  The world has been photographed a million times over, but art exists only in the head and hands and what they create.  There's billions of photographers out there, and they all take the same images.  But no one will ever see them the way an artist does.

I need to create stuff again.  I need to stop my laziness.

So...why not draw or paint my photos?

I should pick a photo I really like, sit down and turn it into a work of art.  And then make another, and another.  I'll start small, of course.  Small stuff takes up less space.  But it's time to start making a body of physical, tangible work that I can show people.  And the process will make my art skills better, too. 

I have a lot of sunsets, and landscapes. Seasonal pictures. Natural stuff. Some things which are gone and can never be seen the same way again.   There is already so many colorful and pleasing subjects to choose from.  It's my own stuff, so why not?  No need to ask permission to use my own images. No need to give credit, or pay royalties.

It's sort of dumb to just let this stuff die without using it.


The Grand Teton mountain range, 2011
I can start small.  Like index card size, maybe.  Small enough that I don't get frustrated and abandon it.  Small enough that I don't get bogged down in details, with my obsession over realism. Maybe spend like an hour or two on them.

Then as I get better, I can go bigger.  I could go from small watercolors or colored pencil drawings to
bigger paintings.  I could fill a sketchbook, or use up some art supplies I have laying around.

I should try new things.  Like rendering a familiar picture in dots, or lines, or squiggles, or smudges. 
I need to use unexpected colors, or patterns. 

My realism limits me too much.  I gotta loosen up and be free.

Smear the colors around, make a little mess and enjoy the work, not obsess over unimportant details and perfection.  I need to stop caring so much about the end result, or this won't be possible.  In the beginning, the focus should be on quantity, not quality.  Then as I make more stuff and grow more confident, I should really make it shine. 

With all the images I already got to work with, I could spend the rest of my life drawing and painting.

Just an hour a day.  That would be all it would take to transform my art, if I can just get started.

I gotta make a pledge to myself.  I must do this. There is no excuse not to.  No one else will ever see the world the way I see it. Unless I show them.

This is my journey of a thousand miles, and this is my single step.
 





Friday, August 23, 2013

Special Summer Project: Custom Decorated Bird Houses

This is not the kind of artwork I normally do, and so it was not easy. The Wilmington Garden Club asked me to paint these three small birdhouses with the theme of the "Three Little Pigs" for the children's garden behind the Talley Day Park Library. The project took about three weeks to finish after almost a month of procrastinating ("Uhh, I really dunno if I can do this...") If it were not for my art buddy Stephanie Ann and her nimble, dainty girl hands with a fine-tipped paintbrush and her moral support, honestly today I'd still be staring at a bunch of unpainted bird boxes. 

I still do traditional art such as painting, but it takes a real kick to get me started, and don't believe that I can do something until I actually do it. I really wasn't sure if these would turn out as well as they did. I hope the Garden Club likes them even if the birds don't.















Wednesday, August 21, 2013

Fortune Cookies: I want to believe.

Fortune cookies have a sort of self-fulfilling magic to them. Because you're supposed to read it and make it come true yourself. I want to believe that I was meant to get this one. :)







Tuesday, July 9, 2013

My 80's Tribute Custom Mix CD

Some of the more interesting things I came across, particularly in the Alternative and Hard Rock genre--and this seems to be a trend in modern music that is mostly outside the 'mainstream'-- is a lot of bands have recorded 'covers' of songs they heard on the radio twenty or thirty years ago.  These hardly ever get radio airplay, and might only be heard as a bonus track at the end of a studio album or an encore at a live concert.   The bands that record them aren't what you would expect either (a good example is the slow and downright creepy rendition of "Seals and Crofts - Summer Breeze" as performed by Type O Negative.)  While not all of them are this shocking, all of these tributes sound very different from the originals.

While I was on vacation, I put together 24 of the best ones.  If burned to CD's this would be a 2-disc anthology.  The theme and title of the playlist, "Turn It On Again," is taken from the title of a 1986 song by Genesis which appears on the final cut.

Below is the track list I put together, with the song titles and a link to see what the new version sounds like.  If you want this entire "album," you'll have to download or buy the tracks yourself though.  Let no one say that I would ever be an advocate of illegal music piracy....

DISCLAIMER: The more "hardcore" fans of hard rock among you will be the first to point out that I neglected to include two very popular tracks in this list. "Sweet Dreams" by Marilyn Manson (originally Eurythmics) and "Another Brick In The Wall" by KoRn (tribute to Pink Floyd of course).  I'm not a fan of either--so sue me-- and these are both pretty well-known and popular songs that have gotten lots of FM radio play.  The songs I have compiled here you aren't likely to hear anywhere, and even if you like these bands, you may not know that they even recorded these tributes.

So without further ado, here's my lineup:

Made this album cover in Photoshop


"TURN IT ON AGAIN: Modern Rock Covers the 80's"



1. Orgy - Blue Monday (New Order Cover - Single Mix)*
*I couldn't find a video of the best version of this one. It's a bonus track off a rare single version that features remixes of only the song "Blue Monday". The Single Mix version is heavier and more metal-driven whereas the album version of Blue Monday is electronic. I recorded this one off the radio 11 or 12 years ago. It really does sound better in the car with a good stereo!

2. Fear Factory - Cars (Gary Numan cover)   http://www.youtube.com/watch?v=CSoKp6dRUH0

3. Alien Ant Farm - Smooth Criminal ( Michael Jackson cover)   http://youtu.be/CDl9ZMfj6aE

4. The Ataris - Boys of Summer (Don Henley cover)    http://www.youtube.com/watch?v=hI93w0OV6D8

5. Five Finger Death Punch - Bad Company (Bad company cover)    http://www.youtube.com/watch?v=oVo8g7T39A4

6. Disturbed - Shout 2000 (Tears For Fears cover)    http://www.youtube.com/watch?v=lo62kvjLHvY

7. Disturbed - Land of Confusion (Genesis cover)    http://www.youtube.com/watch?v=Gbp3I2evSXo

8. Metallica - Turn the Page (Bob Seger)   http://www.youtube.com/watch?v=5DuRVp3S2Gc

9. Deadstar Assembly - Send Me an Angel (Real Life cover)   http://www.youtube.com/watch?v=HwWO3t-ToDk

10. Firewind - Maniac (Michael Sembello cover)    http://www.youtube.com/watch?v=BmhZFV3WbDM

11. Dope - You Spin Me Right Round (Dead or Alive cover) check     http://www.youtube.com/watch?v=XjKNUfPEsB8

12. Dope - Rebel Yell (Billy idol cover)    http://www.youtube.com/watch?v=3aJv1daNtKw

13. Lacuna Coil - Enjoy the Silence (Depeche Mode cover)  http://www.youtube.com/watch?v=RTOLMbKjLeY

14. Machine Head - Message in a Bottle (The Police cover)   http://www.youtube.com/watch?v=dV4NcnhktHY

15. Trust Company - Rock The Casbah (The Clash cover)   http://www.youtube.com/watch?v=O-zosUjzgdQ

16. Nonpoint - In the Air Tonight (Genesis cover)   http://www.youtube.com/watch?v=ihYwcaxEEUk

17. Saxon - Ride like the wind (Christopher Cross cover)   http://www.youtube.com/watch?v=mWn06y86__w

18. Steel Horse - You Better Run  (Pat Benatar cover)  http://www.youtube.com/watch?v=K-h2qM8-6Xs

19. Type O Negative - Summer Breeze   http://www.youtube.com/watch?v=XNo7ZZryuSQ

20. Terminal Choice - I Ran (Flock of Seagulls cover)   http://www.youtube.com/watch?v=JeSxWvnGIV4

21. Warmen - Somebody's Watching Me (Rockwell Cover)   http://www.youtube.com/watch?v=TNOVMdmBppI

22. Powerman 5000 - Good Times Roll (The Cars cover)    http://www.youtube.com/watch?v=ZDSRp9TqixM

23. Lydian Sea - Turn It On Again  (Genesis cover)   http://www.youtube.com/watch?v=r-jJTo3KiT0

Monday, June 3, 2013

Live Right!

Good, sound advice from a street vandal?  Graffiti discovered in Wilmington beneath a bridge:


Monday, May 6, 2013

Tribute to a Favorite Cartoon Character

Back in my high school days, I used to draw Japanese-style sketches based on beloved anime characters from my favorite shows.  (For anyone who can remember back this far, that was around 1999-2001, when Dragonball Z was the biggest show on Toonami) In my teenage years it was huge. I remember kids talking about the latest fight between Gohan & Perfect Cell in study hall, and it seemed everybody in Art Club had to spend half of a meeting in their little social groups, drawing their made-up anime characters.  Everyone had a specific show they liked, or a character from a cartoon they felt best fit their personality. I remember people reminiscing in the past tense about what an awesome show Gundam Wing was, and my 16 year old self being rather upset that the show was cancelled before my parents decided to pay for cable TV.

 (Yes, I grew up with only 12 channels of garbage to watch.  They considered cable to be a "luxury" and not worth the extra monthly expense. Call me a deprived child; but really you have no idea.)

When I was about sixteen, I decided to put all my loose leaf sketches on scrap paper into a 3-ring binder, and label it "Anime Drawings."  I still have this book, and the last time I added anything to it was August 2002.

Here is one of the last drawings I did but never showed anyone, dated sometime in late 2001: (click to enlarge)

This was done in response to the endless debates I heard in the cafeteria, study halls and after-school art club about what was cooler, Dragonball Z (or Shonen Jump fighting anime in general) or the Gundam style (giant mecha-robots in space).  So I drew the two opponents having a face-off. This is also the only drawing I ever tried to do in the "Chibi" style, which means dwarf-sized characters with exaggerated and caricature like features.  Not everybody gets the joke behind this image, but I find it pretty funny.

 And below is my a brand new set of practice sketches for another beloved character,  Vash "The Stampede" from the less popular but still cult-followed Trigun series.   Having done no artwork of this sort for the last eleven or twelve years, I decided to try my hand at drawing a tribute to his dorky, offbeat and hilarious character and see if I still "got it."

Well, apparently I do.  I honestly forgot how much fun it is to draw this stuff.
I plan to make another picture expressing his more serious side. This is the silly one.


Vash is my all-around favorite male protagonist from an anime show, and he reminds me of myself in so many ways, but I'll list10 of them:

 1. He has spiky hair and glasses, and looks somehow cool and dorky at the same time.
2. He is some sort of freak, an alien, or some genetically engineered experiment run amok (how I feel sometimes)
3. He has a very sad, dark and scary past he doesn't like to remember.
4. He has scars from injuries all over his body, some of them medical but most of them accidental.
5. He is a goofy comic-relief sort of character, but can be serious when he has to be.
6. His emotions really come forth when he's hurt or upset, but in general he's much stronger than anyone gives him credit for.
7. He doesn't try to make friends. But rather it just sort of "happens" when people accidentally get thrown into the same situation with him.
8. He always seems to screw everything up, but he isn't actually clumsy. He just has bad luck.
9. He is truly loved by his friends and thoroughly hated by his enemies.
and last but not least...
10. He really sucks at talking to women, and has pleasant manners but really bad social skills.

BRIEF CHARACTER BIO:

Vash tries to keep his true identity a secret. We never do learn what his true name is, and his only response in one episode is a long and rambling one along the lines of "John Jacob Jingleheimer Schmidt."  I have trouble remembering this name he gives to someone, but I think it goes like Valentinez Alkalinela Xifax Sicida Boheretz Gambicobella Blue Stradivari Talentrent-Pierre Andri Charton-Haymoss Ivanovichi Baldeus-George Deutzelkaiser the Third...or something. Obviously, these are all fictional and meaningless titles.

He has been given the fearsome nicknames "Vash The Stampede" and "The Humanoid Typhoon" by others because everywhere he goes, incredible chaos and destruction follows in his wake.  He once completely destroyed an entire town and doesn't even remember the incident, which resulted a sixteen billion (16,000,000,000) double dollar price being put on his head.  So now all the toughest assassins in the galaxy are after this poor guy and he has no idea how he became regarded as so dangerous.

 He is treated as a fugitive everywhere he goes and is constantly on the run from gunslingers, crime bosses and the local law enforcement; respected and feared by his enemies. Civilians are afraid to be seen around him because of the reputation he brings wherever he goes.  An entire planet considers him the most dangerous man alive, but he really is not the brutal and remorseless killer that most imagine him to be. In fact he's a pacifist and doesn't like to hurt people.  He's really a big softie on the inside, and has a goofy and silly demeanor like that of a child. His life is constantly being threatened by people who step up to challenge him, and he has managed to develop his skills to the point of disabling and incapacitating his opponents without killing them, or in some cases even injuring them. Most of the hit men, bounty hunters and thugs who come after him end up "crawling away in defeat with multiple injuries, usually self-inflicted, or staggering away in disbelief that such a dork could possibly be the man they are looking for!"

Trigun is a great series, and it mixes serious action and combat with the quirky, offbeat humor that has since become a trademark in modern shows. Unlike some which seem dated by today's standards, this one really has stood the test of time and remained a classic.

Tuesday, April 30, 2013

Some Cool Truck Graffiti

Mighty impressive road advertising by an unknown artist (Taken on my cell phone cam while driving)

(Click to Enlarge)



Thursday, April 25, 2013

Tuesday, April 9, 2013

JBattdesign Store on RedBubble!

I'd like you to meet a new networking site for artists called RedBubble.com. I now have a store on it selling cases for iPads, iPods, iPhones, tee shirts, stickers and poster prints.  Also anything I make here will get shared on my Pinterest.

One of my current design trends, and something I wanted to expand on since I first started doing this in college, is typographic art.  This means using the natural shapes of specific letterforms from selected typefaces to create mesmerizing patterns and decorative objects.  With over 1400 fonts installed on my design workstation, the possibilities are endless! 

I call it the "Typographic Continuum" project.

Here are just the iPhone cases I made so far, for example:


Fun and cool, right?  I predict these will be hot sellers.  View the store here:

The Jbattdesign iPhone Case Store

There are only twelve so far, but I could crank out a new one every day for years!  They are so easy and fun to make.  All this is done in Adobe Illustrator with my extensive font library.

As a former sign maker, my entire career used to revolve around typography and font selection. It's an art form in itself, and as old as Gutenberg's movable printing press.  It's not so much what you say, but how you say it.

Sunday, April 7, 2013

Daily Post 4-7-2013

Time is what life consists of. Your time is too precious to waste. Before you use it up, decide exactly what you plan to do with it. Don't wait until the end of the day and wonder where it all went. Instead, start the day by making a list of what you have decided to accomplish. When something comes along to distract you, look at that list and decide which is more important, your goals or the distraction. Refuse to waste your time agonizing about the past or worrying about the future. Get the most from the time you have right now.

Don't let yourself get dragged down by petty gossip, anger or envy. Your time and attention are too important to be consumed with such things. Stay focused, positively focused on the priorities you have set. As you get each thing done, check it off on your list. Delight in the wonderful sense of accomplishment and let your positive momentum carry you forward....You Deserve!
— Les Brown

Thursday, April 4, 2013

Not Strong Enough

Roughly a year ago this month, my enlistment in the United States Air Force was denied.  After six months of the most grueling personal training ever, including hours of heavy exercise and 10 mile hikes every day with 60 pounds of gear on my back, being out in all kinds of weather and working myself to exhaustion, in an attempt to build up my physical strength and stamina.  And all I wanted to do was be a ground crewmember and load stuff onto cargo aircraft. I would have swept the hangar floors, anything they would have let me do. 

I was kind of depressed about it for a while and made this pencil drawing a few weeks later.

The men surrounding me at the bottom of this drawing are, from left to right, my great uncle Vern and Grandpa Mel, who were both in the Army, and my grandpa who was on a  Navy submarine during World War II, and great-grandfather who was also in the Navy during the Spanish American War.  The man all the way to the right is a great-great uncle who was in World War I.



Sunday, March 31, 2013

Idea for a New Book

Here's the proposal for my next book:


  A hundred or so years in the future, humanity has colonized the solar system and largely abandoned Earth, after a series of devastating wars.  We turned it into a sort of garbage dump, which was later cleaned up by environmentalists and scientists.  Almost too late, we saw the lush abundance of species on our planet as being unique in the universe.  After decades of cleanup and re-terraforming, Earth became a planetary wildlife preserve for the remainder of the world's species. But rather than a tourist attraction or some kind of "zoo in space,"we decided to leave it alone and only observe the planet from afar, using satellites to track animal migrations across land and sea.  Human interaction after this point was expressly forbidden, and these same scientists dedicated the recovered planet to studying how ecosystems develop without intrusion by man, to better understand how to make other planets support life. No ships are allowed to land on it anymore, only observe from orbit.

 An interplanetary "wildlife photographer" is studying Earth from space. During a freak meteor shower, his small ship collides with a chunk of space debris. Disabled, his ship is forced to make a crash landing in a secluded area of what was once North America.  His ship is also out of fuel in addition to being damaged, and does not have enough power to escape Earth's gravity again.

Well-equipped to survive in hostile environments, but still alone and unarmed, he must trek across the surface of a primitive planet "in a time before man," fending off attacks by wild animals.  He knows he must try to locate the ruins of a major city in the "Forbidden Zone", where it is supposed he can find the technological means to repair and refuel his spacecraft. Once he finds a power source and means to repair his ship--if such a thing exists--he will have to backtrack his adventure and find a way to transport the parts, tools, and power source all the way back to his ship.  But he does not have to do it alone.

 During his journeys through the Forbidden Zone, he comes across isolated pockets of human survivors called Primitives, who have no society and no rules, no system of government and little understanding of the technology they once built and used.  Some cling to barely functional technology from the 20th century, and others have lost all grasp of it and deteriorated into a state of prehistoric or aboriginal ways of life. Some have even learned how to communicate and coexist with animals completely, blurring the lines between humanity and nature.

These Primitives have formed tribes, and some are peaceful and others are more warlike.  They must fight daily for survival; simply eke out an existence among the derelict ruins of their civilization on an otherwise wild planet.  Most of the tribal warfare is over fresh water and food.

The protagonist of the story comes to be known as "The Interloper." He is worshiped as a god by some tribes, and scorned as an evil sorcerer demon by others, who no longer believe in science or technology (because their stories remember an evil race of men who nearly destroyed their planet with war and industry).  He is mostly feared and respected by these natives, and he tries to involve himself in this tribal warfare only as much as necessary to buy him a ticket off the planet.

This story will be less futuristic, and more grounded in this world. Ever watch the TV show "Life After People?"  I want to imagine after human society has collapsed and all our technology is old, decaying and broken. The planet's ruled by wild animals, and there are only scattered groups of human survivors in various stages of societal decay.

….From people clinging to the vestiges of the 20th century, all the way down the evolutionary ladder to Iron age savages who hunt with spears. There's people who try to fix machines and use them, and others who fear technology and think it's black magic. And those people are at war constantly.  Some live in fortresses, others in stone castles, and then you got nomadic tribes who live in huts. Every epoch in human history sort of comes together.

The Amish are still around on this planet, for example. Agrarian farming communities, no electricity or motorized machines.  Then in a different place you have a culture that reverted back to the medieval times, with horsemen and swords and archers, primitive siege machines, etc. And on the East coast, a group of militaristic nut jobs who live in the ruined cities (Forbidden Zones) and have electricity, all terrain vehicles and guns, fighting an imaginary and never-ending war against everyone else. Sort of like the NRA meets the the North Koreans meets those crazy Japanese commandos in the Pacific islands who thought World War II never ended. 

The main character spends a chapter or two staying with each of these groups, trying to learn their ways and co-exist with them long enough to get help in escaping the planet. He's a renegade or vigilante type, not really a bad guy but not a good guy either.  He takes nobody's side, and fights on all sides against everyone, with his own agenda. All that matters to him is getting off this rock, because he remembers why his race left it in the first place.  To escape the endless wars.

Possible book titles:

"Interloper"
"The Pathfinder"
"The Explorer"
"The Survivor"
"Exile of the Gods"
"The Man Who Fell From Heaven"
"Exile from the Stars"

Influences and inspirations for this story are mainly from Pierre Boulle's Planet of the Apes series and 20th century sci-fi art by Frank Frazetta. 

Thursday, March 28, 2013

Creative Writing: Book Chapter Sneak Preview: The Duel

The following is a chapter/short story from a book I have self-published:

1612 - THE DUEL


FUEDAL JAPAN

A gently rocking motion and the distant sound of waves were the first things his mind became aware of. And the creaking of wood. He was in a small wooden boat, that much he could tell. The hot sun was beating upon his back, he felt it gently baking his flesh. Beads of sweat formed on his neck. A voice drifted in from the edges of his resting subconscious. It sounded irritated and urgent. Sharp syllables, harshly accented consonants followed by single vowel sounds. Phonetic building blocks of a language he at first did not recognize. Urgent word sounds, and one other word, repeated briskly. It sounded like it could be a name. 

“Sensei! Sensei! Okiru, Sensei! Musashi-sama! Musashi-sama!”

Then a stick made of very hard wood poked him in the back.

He opened his eyes. Since there was no one else in the boat, that must be his name. After a few more sharp repetitions of the phrase, he determined that the man was prodding him, trying to goad him into alertness.

It became clear what the man was saying. He was speaking Japanese. “Sensei” meant teacher, or master. “Okiru” was a common, informal command meaning “wake up”. The “-sama” suffix also meant “master” or “lord”, indicating respect or admiration for a superior. And “Musashi” must be his name. Yes, that had to be his name… his name was Musashi.

He had not been asleep, he was merely resting silently in a sort of meditation. He opened his eyes and instantly became alert. 

He was sitting cross-legged on the bottom of a small wooden rowboat. He looked down at his chiseled, muscular legs. He was barefoot. He was sitting in what he recognized as the Lotus position; he must have been deeply entranced in a state of Buddhist meditation. The younger man behind him with the stern edge to his voice was one of his pupils, a servant and student to his master. He now understood what the man was saying. He thought he had been asleep, and was poking him with a short bamboo stick, trying to wake him up. He now understood perfectly; he was once more firmly rooted in his own body, and in time as well as place. 

He was a greatly respected Samurai warrior, and was in his own rowboat on the way to another honor duel arranged by his Daimyo, in an attempt to conquer a rival clan and obtain more land to add to his feif. It looked like the open sea, for land was not visible. However they were in a strait between two provinces of Japan, called HonshÅ« and KyÅ«shÅ«. He could see a small green island up ahead; they were slowly approaching the shore. It was a hot day and there was a light blue haze that faded into the distance. The sky was cloudless, and pristine blue. 

The island he saw before him was Funajima, otherwise known as “Ganryu island.” It belonged to his biggest rivals, the Ganryu clan. It was a place that had been appointed for today’s match with a rival samurai; a powerful warrior named Sasaki Kojiro, otherwise known as the “Demon of the Western Provinces.” Rumor had it that he was a savage man who fought with an oversized three-foot-long sword known as a nodachi and had not yet lost a single match. Well, Musashi knew that was about to change.

Musashi was roughly thirty years old. He did not know his exact date of birth. Both his parents had died by the time he was seven years of age, and he was raised by his uncle Dorinbo. His father Munisai had taught him some ways of the sword, but then his own father was killed in a duel. He was adopted by his uncle and brought up around a Buddhist shrine, and he accepted that as his faith, rejecting the traditional and much older Shinto. He praised the fighting style of the Shintoist monks, but thought the religion itself  was too…rustic. Too obsessed with nature. He felt that Shinto monks devoted far more time to hugging trees, worshipping rocks and arranging flowers than they did to fighting. Travelers from the West had brought Buddhism to Japan, and it was already deeply rooted in his culture. 

From seven years of age onward, young Musashi was trained in the arts of war. He had learned to pick up a sword as soon as he could hold a pair of chopsticks. He had studied the Samurai arts at a renowned school and learned bushido, the Way of the Warrior. He was a very fast learner, and even as a boy, he was undefeated. 

 His first duel at been at the age of thirteen, against a man more than twice his age. He defeated the man without hardly a fight. His second duel was at sixteen, with a man from Kyoto province.  That man he had also defeated effortlessly. Then when he was twenty-one, he fought and killed several more famous swordsmen from rival schools. He then later returned to his own school and defeated his old master and all his fellow pupils. Surpassing and often defeating one’s master, and one’s rivals, was the way of a warrior. It was a way of showing one’s strength. The legend was that Musashi had won duels against sixty opponents by the time he was thirty years of age.

He had also fought in a clan war under the Toyotomi shogunate, roughly twelve years ago, defending Gifu castle against the armies of Tokugawa. His side lost, and, in a way blaming himself for the defeat; he retreated into the mountains to live a lonely life of solitude for several years and refine his technique. During this time he had become somewhat of a hermit; still respected and feared by his enemies, but thought of as rather eccentric.

Particularly, he was legendary for refusing to bathe for long periods of time.

Since he was undefeated, he was constantly being sought out by new opponents who wished to challenge and best him in duels, and his only real fear was being caught unaware and vulnerable. He slept fully clothed with his swords every night. He simply did not undress to cleanse himself unless he was forced to, or he had to be in the presence of a feudal lord. It was sometimes said that none but the Shogun himself could persuade Musashi to clean himself up and look presentable. Unkemptness was his trademark. And it often worked to his advantage. His lowly, haggard appearance threw many of his opponents off guard, and made them underestimate both his strength and his sword prowess. He often traveled and fought barefoot, presenting himself as a mere pauper who was too poor to afford his own wood sandals. He had no real earthly possessions, aside from the robes on his back and his sword. He chose a life of absolute poverty.

In the years following his time as a soldier, Musashi went back to his old dueling ways and established his own school for training new warriors. He wandered the countryside looking for haughty arrogant old Samurai, or young and surly fighters so he could teach them all a single lesson: one did not meddle with Musashi and live to tell the tale. He was now widely regarded in Japan as the deadliest man alive with a sword in his hand.

By Western reckoning it was the year 1612 anno domine, and the date by the Gregorian calendar was the thirteenth of April; and the surly young samurai that Musashi was sent out to duel on this day was Sasaki Kojiro.

And, if for no reason other than to insult his challenger, he was very unfashionably late.

Over three hours late in fact. His young student, aiding his travel to the island, was calling his attention to this:

“Wake up, master! Kojiro is waiting for us. Ah, alas in the name of Buddha, we are so late. Why did you not rise earlier so we could leave on time?”

His master did not reply. He merely stretched, yawned and turned around, and grimacing with a face of stone and a look of ice in his fierce eyes, glared sternly at the young pupil and said;  “Row faster.”

His servant looked frustrated. Sweat was running down his face. His scrawny arms were flexing with strain. He complained with an urgent whine to his voice.

“I am going as fast as our little boat can travel, Musashi-sama! I have but only one oar…why did you take my other oar and start whittling away at it? You realize that thing you made is utterly useless to propel this vessel now, master.”

He looked down. His sword was laid out carefully on the floor of the boat at his feet, its case wrapped in its silk cloth and resting on his straw tatami mat, the same one he had overslept on that morning. And next to it, in a pile of wood shavings, was what remained of the oar in question. He had been carefully and deliberately hacking away at it with his wakizashi, his smaller weapon that was halfway between a sword and a knife.

“I am merely trying to pass the time while you plod your way toward this island, you young idiot. You must row faster!”

He was deliberately intimidating his pupil. He had not told him that what he was actually doing was carving it into a bokken, a wooden staff that was longer than his sword. The wood was dry, strong and hard, yet lightweight enough that he could wield it easily. He was going to face this man and defeat him without even using his sword at all. The bokken was mainly a training weapon. Such a tactic was used on younger, lesser Samurai and students in training, typically whom one did not wish to seriously hurt; and in this way Musashi planned to humiliate his opponent by showing that Kojiro was a mere student, and an inferior; also that Musashi didn’t feel particularly threatened by him.

This, coupled with the fact he was showing up very late to his duel on purpose, would be the ultimate insult.

They slowly trundled toward the island, the boat wobbling and wavering on its course. This was because the unfortunate man rowing the boat had only one oar to propel it with; he had lashed it to the rear of the tiny vessel and was wagging it back and forth like the tail of a fish, doubling as both a means of propulsion and as a rudder. It must have been a comical sight to those silent and angry eyes watching it like hawks from the shore.

On the beach of Ganryu island, many people were growing restless, and silently fuming with indignation. The feudal lord especially. He had come out to this tiny island and sat on the beach in his finest dress for hours to witness this epic duel between warlords, and he was becoming very impatient and aggravated. He sat cross-legged on the beach, under the shelter of a tent his subjects had pitched for the occasion. They were all in their finest garb. Behind him was a wide banner which flapped idly, with the blue stripes on a white field and the eight black circles arranged around the larger middle one, the standard of Kojiro’s clan. The lord’s consorts and Samurai bodyguards were also in attendance; their obi cloaks all matching. They wore these odd conical hats that had to be held on with white straps. These served no useful purpose, and were probably effective to guard against the harsh afternoon sun but little else. Still, they made for an imposing sight. The gaudy display made them look more like a diplomatic consulate than a bunch of hardened warriors. They wore their richest robes today, if for no other reason than to show off their power and wealth.

As they watched the small rowboat approach, the high feudal lord turned to his son standing by his side. He was a boy of perhaps twelve, he wore a ponytail and the top of his head was shaved, as was the young Samurai custom. He spoke lowly to him: “My son, if this man tries any silly business, I want you to give the signal for my guards to attack him all at once. You know the secret word and hand gesture.” The boy nodded, looking scared. He was trying very hard not to tremble. He knew the man approaching was dangerous, much more so than other Samurai, and not to be trusted.

Kojiro himself had been kneeling silently on the beach, not moving for a very long time. His long sword was planted blade first in the sand; one hand grasped the handle. The other rested on his knee. His eyes were closed. He wore a white robe with a light blue sash, and dark or black pants. His hair was pulled back and secured by a white headband with a metal plate which protected his forehead. He was slight of figure and more effeminate looking than Musashi; his eyes were thin and slanted. 

As he heard the sound of the tiny boat approach over the crashing of the surf, his lord called out: “Kojiro! Your enemy approaches.” His eyes snapped open. Slowly and very deliberately, he rose from his resting position, retrieved his sword from the sand, and began to walk forward. He stopped about ten feet away from where the tide broke. 

The boat was almost ashore. Musashi quickly made himself ready for battle. Yet he did not pick up his sword. Instead of tucking his katana into his sash, he rolled it up tightly in the straw mat, and shoved it underneath the seat in the boat. His assistant whispered to him. “Master, you have  gone mad! This man is dangerous. You cannot challenge him without your sword!” Musashi ignored him.

He picked up a piece of rope he had cut, and tied one end around his left arm over the shoulder; then, weaving it behind his back, tied the other end around his right shoulder. It was a mystery to his assistant why he did this. His ways were odd and not like that of most samurai. He then tied a dark, blood-colored cloth around his forehead to keep the sweat out of his eyes. He made sure his hair was tightly pulled in the back, but left many straggly locks coming off his head, preserving his wandering homeless man’s appearance. At last, he bent down quickly and picked up the roughly carved piece of wood, formerly a rowing oar. He held it as tightly as he would his own sword. Musashi was ready. He stood upright in the boat, unwavering despite its tipping and rocking motion. His face was set sternly with a grave appearance, a solemn grimace. A fiery look of anger was in his eyes.

The boat reached the shore and ran aground, its pathetic means of locomotion propelling it no further. Musashi leapt from the boat and landed with both feet firmly in the sand. The imposing, white-dressed figure of Sasaki Kojiro was standing before him, hand at his waist on his sword handle. 

The two rivals did not bow to one another; clearly there was no respect between them. Kojiro simply growled, “Musashi…you are late.”

Kojiro looked him over from head to toe, sizing him up. He was unimpressed by the man’s appearance. He scowled as he caught a whiff of the grungy man’s odor. He then fixed his attention on the odd implement that his adversary was clenching tightly like a sword. Disdainfully, he snorted. “What is that? You cannot defeat me with that wooden stick.” Musashi somehow betrayed the faintest hint of a grin without changing his expression. “Watch.” His other hand grasped the wood as he wielded it double handed; his fingers tightened and cracked faintly. Kojiro was getting aggravated at Musashi’s sternness; he still thought it had to be some kind of joke. He sneered and spat on the sand as his fist whitened around the handle of his blade.

“You insolent peasant. You come to a duel on my island dressed like that and don’t even bother to bring your sword. I will cut you down like a dry reed…MUSASHI!” Kojiro took a combat stance, legs spread apart. He raised his sword still in its sheath, held horizontal before him, and briskly pulled off its wood case with one hand and let go of it. It shot out several feet to the side and landed in the surf. He glared at the lowly excuse for a samurai that stood before him.

A look of bitter anger took Musashi. He scowled even deeper with a fierce look in his eyes and glared back with a riveting stare as if he were the ghost of a disapproving ancestor. He said, “Sasaki Kojiro… you have already lost.”

 “…Nani?” Kojiro appeared confused. Musashi spoke in a low, gruff voice. “You threw away your sheath; now you cannot use it. I will kill you before you can pick it up.”

“You cannot be serious. Your piece of wood against my sword? How can you even have the nerve to show up at a duel before my clan wearing your rattiest robe. And making us wait on this beach for hours. What kind of samurai do you think you are?”

“…A better one than you think you are, Sasaki Kojiro.”

Musashi made the slightest move and Kojiro flinched. Holding his arms straight, he lifted his nodachi high in the air and held it up near his face, ready for his trademark “swallow cut” finishing move. It began with the sword in a high position and was intended to swing downward, then flip and swing back up, in a movement quick and sharp enough to chop someone in half. Musashi had long studied this attack and knew how to counter it. He held his improvised wood bokken level with his waist and parallel to the ground; his attack would come upward from below.

The two warriors stood like statues, each daring the other to move first. The foaming waves lapped around their ankles. The harsh afternoon sun shone brightly on every reflective surface. The sky was cloudless. The tide would be going out soon. The conditions were perfect. Musashi knew all he had to do was get Kojiro in the right position, and then strike.

They stood steady as the rocks on the beach for a brief moment. Kojiro’s feet were dug into the sand, Musashi’s bare feet were ankle deep in the water. Musashi refused to budge, but just kept glaring. Furious and indignant from waiting hours for the duel to start, and further humiliated by Musashi’s refusal to give him a proper fight; Kojiro’s impatience won over. He roared in rage and he sidestepped, ready to circle around him. Musashi lunged in the same direction to foil his tactic, and the two ended up running sideways facing each other down the beach for some distance. Kojiro stopped and feinted lunging at Musashi. They both pointed their swords at each other gripped in both hands, each looking ready to chop the other down. Kojiro’s eyes were fixed on Musashi’s unusual weapon, not sure what he would do next. Musashi was paying far more attention to his environment. 

He noted the position and angle of the sun. It was over his left shoulder. He still stood, clutching his wooden oar that was little more than a club. He stood steady. Kojiro, his sword still held high, was trembling. One eye twitched. He could see it. His opponent was thoroughly unnerved. Musashi had all the while been strategically wearing down his adversary, readying for the strike. Now he had his rival in exactly the right position. Every move he made from this point onward would have to be deliberate, if he wanted to end the fight with only a single blow.  

Now was the time. Musashi lunged.

He threw himself at Kojiro; Kojiro swung his long blade. Before he could recover, Musashi leapt into the air with his strong legs, bokken held high above his head. Kojiro looked up, and for an instant was blinded as he stared straight into the sun. He swung his nodachi upward, and missed. Musashi brought his stick down as hard as he could and simultaneously kicked out with one foot.

Musashi’s feet hit the sand half a second later. Kojiro still stood, sword held defensively and ready for a second strike, glaring at him fiercely. Musashi stood and stared back. It was another faceoff. Neither moved for a few moments.

Sasaki Kojiro kept standing there silently, as if stunned. Then, his eyes grew wide.

A thin trickle of blood ran down his nose from underneath his forehead protector. His eyes rolled back in his head and he wheezed in his last breath. He dropped his sword and fell over backward.

He was dead. The front of his skull had been shattered; his lung had been punctured by the kick.

Just a single strike, and the match was over.

Musashi leaned over the body of his fallen rival, grimaced and gruffly grunted. “Humph!”

Then he turned and walked down the beach back to his boat, ignoring the indignant elders, not bowing to them for respect as was customary. He climbed in and pushed off shore, and the receding tide carried him swiftly away from the island.

The Ganryu elders were shocked and dumbfounded. No one dared to pursue him.  






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Sunday, March 24, 2013

Canyonlands Logo Contest - #1

Vector traced the first logo concept for the design contest. This is my favorite one and I really hope it goes somewhere!

A very difficult logo to steal because it's so complicated (still watermarked it on my design template anyway), but the concept is solid. The imagery I think should speak for itself. The silhouette of the man wearing the hat is Stuart Udall, the secretary of the Department of the Interior at the time, who was responsible for officially designating Canyonlands as a National Park in 1963.  This logo is for the fiftieth anniversary of the national park.

Rule #1: The best logos are designed FIRST in black and white. Then color is added later, if necessary.


Logo designs #2 and #3 will be redrawn over the next couple days.  This is my chance to get my name on something really big!  If I get this deal, I win 500 bucks... which I badly need!

Thursday, March 21, 2013

Wednesday, March 20, 2013

Early Adobe Illustrator Projects

Design for a label of fictional "Giorgio" pasta sauce. Designed in 2003, gradient mesh effects added for realism in 2007 for portfolio.



Sign and logo for a fictional seafood buffet restaurant.

Set of 3 typographic design posters. You will see these ideas greatly expanded upon in some of my new work. Originally designed 2006.

 

Monday, March 11, 2013

Blog.

In the beginning, there was nothing.  And then Jeff said "Let there be a blog!" And there was a Blog. And Jeff saw the Blog, and it was good.

On the first day, Jeff procrastinated.

On the second day, Jeff created everything the Blog was. And for seven days that followed, Jeff worked on the Blog.

On the first Friday of the first week, Jeff rested. And made up the seven days he spent working on the Blog by sleeping. Two hours later, Jeff woke up. And wrote some more. And hereafter it was most righteous and bloggerific.